Harvard-Yenching Library holds a few hundred volumes of Japanese design catalogs from the late Edo period to the early 20th century. These were originally called Hinagata, then Ishō, or Zuan in the modern era. Typical contents of traditional Hinagata include kimono patterns, architectural decorations, and details, weaving patterns. Many are hand-drawn in color. They were used for practical purposes, such as kimono merchants taking orders from clients. After the Meiji restoration in 1868 when Japan opened to the outside world, the new government promoted the export of Japanese craft goods such as pottery, lacquer ware, textiles to earn the currency necessary for building the modern nation. These goods were well received in Europe where "Japonisme" was already popular. Many designers for these craft goods were trained in Kyoto and publishers there produced color woodblock print design catalogs introducing these designers’ works
Application term for scholarships has been closed
The European Association of Japanese Resource Specialists (EAJRS) especially wishes to encourage the participation to its conference of resource specialists and young scholars from institutions with limited financial means, or that have seldom or never attended an EAJRS conference. Therefore, with support from the Toshiba International Foundation, the organizers of the 28th EAJRS conference in Oslo would like to offer three scholarships, which will include:
There are many hotels and other overnight offers in Oslo, via
A PhD Research Fellowship in Japanese Studies is available at the Department of Culture Studies and Oriental Languages (IKOS), University of Oslo. IKOS seeks to recruit a PhD candidate with excellent research qualifications who will investigate issues of heritagisation in contemporary Japan.
The successful applicant will address issues related to the project Sacred heritage? Secularisation, sacralisation and the production of heritage in contemporary Japan.