The 30th EAJRS Conference
Rethinking resources for Japanese studies
18-21 September 2019
18-21 September 2019
Shibusawa Eiichi is said to have been involved in as many as 500 companies and 600 organizations, but given the large scope it is difficult to gain a clear picture of his involvements. In an attempt to partially alleviate this, our foundation complied and digitized the “Name Change Charts of Companies and Organizations Related to Shibusawa Eiichi.” This digital resource is divided by industry such as “Finance” or “Education” and provides a visual representation of the development of companies and organizations related to Shibusawa Eiichi through their name changes.
In my presentation I will use the “Name Change Charts,” as a tool to look at Eiichi’s business and other involvements and thereby think about his significance to the field of Japanese studies.
University of Michigan Library is "committed to providing equal access to information and services for all students, faculty, and staff members. We aim to provide an equitable experience for individuals with disabilities by following accessibility standards, responding to user feedback, and providing support and accommodations."
This presentation is a progress report of the project of increasing accessibility to Japanese studies materials in the Library’s Digital Collections for inclusive users.
In 1590, Jesuit missionary Alessandro Valignano introduced the Western printing technology to Japan with which the Kirishitan-ban or the Jesuit press publication was issued as the first movable metal type printing there. Several tens of tittles were published from 1591 until the promulgation of the edict of 1614 against professing Christianity.
Although the Kirishitan-ban itself is the outcome of the Japan-Europe relation, several important cultural interchanges between them have progressed since then with it.
Historiographical Institute the University of Tokyo, ‘HI’ for short, has been investigating historical materials concerning pre-modern Japanese history. In the process, we have been making and managing metadata as the results and shooting the materials. Recently, we have been digitizing of the historical materials based on the results so that the data can be used at long-term preservation and utilization of them. In the paper, we report on the approach and the efforts.
The Department of Asian Studies at University College Cork is the only department dedicated to Asian Studies as an academic discipline on the entire island of Ireland. Its staff engages in a broad variety of research relating to various aspects of societies, cultures, business, languages and the arts across the wider Asian region, with a particular focus on China, Korea and Japan.It is unique in Ireland, providing the only BA and MA Degrees in Asian Studies, as well as the only department offering Chinese, Korean and Japanese language education at both undergraduate and postgraduate levels. A first permanent post for Japanese Studies was set up first in 2014.
In the year of Japanese Imperial transition, explaining the imperial connection with the history of the Japanese collection at the Université Catolique de Louvain. This session will also unveil the current in-house digitalisation project of the collection in order to preserve the precious items.
Introducing the Working Group new website, which is on EAJRS’s site.
In this paper, we report about prototype of database and search system of Wokototenzu. Wokototen is a gloss when reading the Chinese classics to understand the reader's mother tongue. The one which gathered this Wokototen in one every used documents and school is called Wokototenzu. The purpose of this research is to prepare an environmental for Kunten researcher to be processing and data are shared on the computer.
This presentation will re-think the current Japanese painting resources at the British Museum and the Ashmolean Museum, Oxford, as part of a survey conducted in preparation for my forthcoming PhD. My PhD project will compare Japanese Nanga paintings with the Chinese paintings that influenced them using art historical studies and scientific analysis of the materials and media. The British Museum and the Ashmolean together have the largest collections of Nanga paintings in the UK.