Telling tales (2017)

Redfern, Mary

One hundred years ago in 1917, Sir Alfred Chester Beatty visited Japan. An American mining magnate, Beatty was already known for his extensive collections of Western and Islamic manuscripts. During his trip Beatty was entranced by the glittering scenes captured in the painted scrolls and albums set out for his perusal, and he began to add Japanese narrative and religious works to his growing library. Gathered together as a personal collection, Beatty’s library was recast as a standalone institution in a Dublin suburb in the early 1950s.

Japanese collections at the National Library of Finland (2017)

Salomaa, Tero

The National Library of Finland was established during Swedish rule as Royal Academy of Turku in 1640. During Russian rule the university was moved to Helsinki in1828 and it started operating under the name of the "Imperial Alexander University". After Finland's indepence in 1917, the University's library was renamed Helsinki University library. In 2006 the name of the library was changed to the National Library of Finland with an amendment of the Universities act.
The Library has several Japanese and Japan related collections.

The Japanese popular culture research project (2017)

Maekawa Shiori

This presentation introduces “The Japanese Popular Culture Research Project" promoted by International Research Center for Japanese Studies as one practical example of digital strategies for the research of Japanese popular culture. This project started with the plan of 6 years from 2016 and aims to provide various resources for the research of Japanese popular culture which is highly interested in Japan as well as in overseas countries in recent years. Resources include four aspects: proposal of a new way of thinking about the Japanese popular culture research, establishment of global research network, construction of databases of popular culture materials, development of educational packages.

Bringing hidden resources to light (2017)

Bazzell, Tokiko Y.

During the Allied Forces Occupation of Japan after WWII, published materials such as books, magazines, and newspapers were censored from 1945 through 1949 by the Civil Censorship Detachment (CCD) under the Supreme Commander for Allied Powers (SCAP). In addition to publications, Japan’s traditional performing arts such as Noh, Joruri, and Kabuki plays were also censored, with an estimated 100,000 Kabuki scripts censored during the period.

From hinagata to isho (2017)

Yamada McVey, Kuniko

Harvard-Yenching Library holds a few hundred volumes of Japanese design catalogs from the late Edo period to the early 20th century. These were originally called Hinagata, then Ishō, or Zuan in the modern era. Typical contents of traditional Hinagata include kimono patterns, architectural decorations, and details, weaving patterns. Many are hand-drawn in color. They were used for practical purposes, such as kimono merchants taking orders from clients. After the Meiji restoration in 1868 when Japan opened to the outside world, the new government promoted the export of Japanese craft goods such as pottery, lacquer ware, textiles to earn the currency necessary for building the modern nation. These goods were well received in Europe where "Japonisme" was already popular. Many designers for these craft goods were trained in Kyoto and publishers there produced color woodblock print design catalogs introducing these designers’ works

Abstract: Matsuda Yasuyo (2009)

日本近世の版本における蔵版目録の研究
須原屋市兵衛の出版物を中心に

日本における近世商業出版活動は、法令文書、判決文書、組合文書、出版物などによって伺うことができる。御触書集成・撰要類集・御仕置例類書・徳川禁令考・市内取締類例集などの法令文書、判決文書が収められた資料を繙くことで、商業出版業に対してどのような政策が実行され、これらの資料に加えて商業出版業組合の規定書や名簿、各種記録簿などの組合文書を丹念にみることで、そのような社会状況のもと、どのような商業活動が展開されていたのか伺うことができる。また、出版物の質や量、すなわち内容の種類や出版点数を分析することで、市場が扱っていた商品の種類、すなわち市場を通して人々に受容されていた書籍の傾向や、市場の成立・拡大過程がわかる。

Abstract: Hirai Shoichi (2009)

National Art Centre Tokyo
On The Japan Art Catalog (JAC) Project.

展覧会カタログは、美術の研究者にとって、作品や作家に関する最新の調査・研究の成果が盛り込まれた貴重な情報源である。しかし、日本で発行されるほとんどの展覧会カタログは、会期中に開催場所で限られた部数が販売されるのみで、一般の出版市場に流通しない。書店や出版取次を通して購入することができず、書誌コントロールもされない、「灰色文献」の範疇となっているのが現状だ。

こうした資料を網羅的、体系的に収集するのは、日本の美術図書館にとっても長年の間、非常に困難な課題と位置づけられていたし、いわんやこれを海外で実現しようというのはまず不可能に近かった。こうした状況を打開するための取り組みとして1995年に設立されたのがJapan Art Catalog (JAC)プロジェクトである。JACは、海外からの入手が困難な日本の展覧会カタログを収集し、北米、欧州、大洋州のディポジトリー機関に送付するプロジェクトである。

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